Spaces are continuously adapted, perpetually inhabited, and constructed to best suit our needs. These alterations may stem from our everyday tactics in navigating the space. By placing, shifting, and arranging objects, we create invisible diagrams wherein traces of familiarity emerge. I don't directly depict the objects themselves. Instead, I outline their shadows, which intertwine and overlap, giving rise to distinctive landscapes. They gradually depart from the original objects, becoming progressively estranged. In a sense, there is a reverse process from domestication, or perhaps an attempt at it falters.